In which our newly minted time travellers encounter a Stone
Age tribe engaged in a power struggle over who should be the leader setting the
tone for all tribes ad infinitum. The line to be balanced with this kind of
thing is how the portrayal of cavemen is achieved. There is much potential for
over acting here and while occasionally this does happen, on the whole the
production manages to achieve a believable take on such an ancient culture.
While the tribe speak English they do so with enough linguistic skill to make
the dialogue engaging enough. There’s a bit of grunting, usually when someone’s
annoyed but only one occasion where things go right over the top. Poor old Za,
trying his best to make fire fails in his goal and yells his head off. I
suppose this is the Stone Age equivalent of clearing the air.
Archive and new material about classic Doctor Who (63-89) and its fandom. X (aka Twitter- @JohnConnors100, Instagram- JohnConnors100
November 30, 2016
November 23, 2016
NEW SERIES The Original # 1 An Unearthly Child
53 years ago today the first episode of Doctor Who was broadcast and I’m re-watching the first story once a week to see if I can recapture the magic.
It is impossible to imagine just what an impact this episode had on anyone watching it in 1963 but equally impossible to imagine that anybody would not want to watch the next episode. This really is a textbook example of how to set up a new series in any genre. Keep it simple, tease mysteries, focus on a handful of characters and make it visually stunning. `An Unearthly Child` does all this and never puts a foot wrong. Years back I remember older fans who’d seen the original broadcast talking in hushed tones about its magnificence and even though I’ve seen it lots of times I’m now not sure I have ever actually watched it. That is to say allowed its contents to reveal themselves without the accumulated narrative weight of 53 more years of Doctor Who swimming about my head. When you do that there is something compelling about every minute of this.
It is impossible to imagine just what an impact this episode had on anyone watching it in 1963 but equally impossible to imagine that anybody would not want to watch the next episode. This really is a textbook example of how to set up a new series in any genre. Keep it simple, tease mysteries, focus on a handful of characters and make it visually stunning. `An Unearthly Child` does all this and never puts a foot wrong. Years back I remember older fans who’d seen the original broadcast talking in hushed tones about its magnificence and even though I’ve seen it lots of times I’m now not sure I have ever actually watched it. That is to say allowed its contents to reveal themselves without the accumulated narrative weight of 53 more years of Doctor Who swimming about my head. When you do that there is something compelling about every minute of this.
November 16, 2016
The Power of the Daleks
Matthew Kilburn reviews the newly released
animated version of the classic 1966 story which introduced the second Doctor.
BBC
Worldwide’s animated The Power of the
Daleks is one of the projects one thought would never take place.
We’d seen cold water poured on the volcanic flames of an animated parts one and
four of The Underwater Menace, and
had been assured for years that more than two episodes of a story would never
be attempted again. Then, almost without warning, The Power of the Daleks was upon us, and BBC Store was no doubt
gratified with many more new customers to strain its servers. As widely
trailed, the budget and timescale only allowed for limited powers of expression
and motion for the characters and must have entailed difficult choices for a
talented team of recreators.
November 14, 2016
Good Times! # 10 ExoSpace 1990
(previously unpublished review 1990)
In its own grounds surrounded by lush greenery and weird fern things,
the Imperial Hotel is just the perfect place for Exo-Space! The event may not
have been the biggest event of the year but in place of hype and hoopla we
instead had a fun, intimate and friendly time where one felt like the committee
wanted us to be there for reasons other than balancing the books. It fits in
neatly with Exeter itself which has a fresh, exuberant high street, the
splendour of a cathedral and lots of those tea shops you normally see in small
country villages. The Imperial nestles amidst hills and slopes above the main
railway station and not too far from the University.
Problems? Exo-Space had them by the cartload. The tragic death of Graham
Williams, the late change of venue, the fierce competitiveness of the 1990
convention calendar and even changes of main hall between Saturday and Sunday.
Despite the open and relaxed mood the sadness of Graham Williams' death was
far from forgotten, especially for those of us who'd met him. I’d had the pleasure
of interviewing him some five years ago and found him to be charming, modest
and great company in one crowded convention hall that day. He'd been scheduled to headline this event and it was re-organised as a tribute.
November 09, 2016
Good Times! #9 Nebula 90
Nebula 90 Photo Special- event held at Adelphi Hotel in Liverpool 1990 featuring Peter Davison, Nicola Bryant, Sophie Aldred, Nick Courtney, Debbie Watling, Sharon Duce, Ian Briggs, Frank Windsor, Michael Cochrane.
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