(These reviews were written in 2009 and originally published in the print version of This Way Up fanzine)
There’s
no question that Merlin, right from the start, was a more sure footed
series than either Robin Hood or Primeval. The show seemed to
have more concise scripts, was better cast and looked great. What niggled
during season one though, was that for all those assets, the storylines seemed
repetitive and a little too rigid. The acting, sparky dialogue, excellent
cinematography and visual effects towered above the narrative which stopped the
show reaching its potential. You could be impressed or amused but rarely
dazzled by what you saw. It did improve towards the end but what Merlin needed
was not just to be good but to be GREAT.
Season
Two is GREAT. In fact, as it progressed it’s got better and better concluding
with two astoundingly good episodes that, for the first time, see the show
match the charismatic mix of Doctor Who which, let’s face it, is the
benchmark for this kind of series. For the first time, the viewer becomes
emotionally involved as we see the early simmering of the Arthur and Gwen
story, Merlin’s position coming under greater threat and the dragon getting more fractious. The improved scripts still deliver the thrills and spills but
they are surpassed by the tone of each episode. There’s some broad comedy,
particularly evident in the relaxed friendship between Arthur and Merlin,
there’s a much greater sense of danger from the villains and the plots are more
varied. Each of the cast is given more as we discover more about each of them
so that when the last two episodes cut loose, it doesn’t feel like some crazy
sensationalist finale but genuine developments that we can relate to.