Blackpool’s
Doctor Who Exhibition had a perfect entrance. Sitting just off the main road
but visible from it, a TARDIS exterior even larger than the `real` thing sat
enticingly open. Colourful signs on the wall to your left invited the eager
fan- who really needed no encouragement - to “Defy the Daleks” while clips from
the series wafted through the air like sirens attracting their next victims!
Not even the warning metallic command “Humanoids will stand still for
identification. The TARDIS is under Dalek control” could deter the eager fan.
The only ordinary feature of any of this was a toll booth and the fact that the
ticket was a generic one without any souvenir value at all as it doesn’t
mention what you’ve paid for. However it did only cost 30p! Still that ticket
is soon stuffed into a back pocket as you negotiate a descent into darkness.
Quite a daring entrance for a public display- normally the sort of thing you’d
expect from a ghost train. This long staircase and the fact that from the top
you couldn’t see what was down there but you could hear all sorts of noises
gave a sense that you really were descending into another world.
At
the foot of the entrance steps was a long, twisting corridor in which several
large glass fronted
display cases housed monsters, props and bits of set. Signs were written in futuristic black lettering on a silver background. Much care was taken to mount these items in ways that reflected the story from which they came. As you wandered past these strange creatures, lights and sound were used to enhance the effect including dialogue clips and random noises. Photographs were allowed yet there was a slight issue with the glass screens if you were under six feet tall as the camera flash would inevitably show from some angles.
display cases housed monsters, props and bits of set. Signs were written in futuristic black lettering on a silver background. Much care was taken to mount these items in ways that reflected the story from which they came. As you wandered past these strange creatures, lights and sound were used to enhance the effect including dialogue clips and random noises. Photographs were allowed yet there was a slight issue with the glass screens if you were under six feet tall as the camera flash would inevitably show from some angles.
The
corridor wound around several bends before you faced a turn to come face to eye
stalk with a Dalek and a No Smoking message. Then you walked into the
centrepiece which was a large mock TARDIS control room dominated by a replica
of the console in the centre. This version seemed slightly gaudier and larger than
the TV version. Around the sides of the room behind panels that looked like screens
were more ambitious tableaux comprising several monsters and props and often
included moving elements. You could also play with a series of control panels
that were packed with interactive levers and buttons that really did make
noises or operate small banks of lights.
At
the end was a merchandise stall; it's odd that during the original series' most
successful period the amount of stuff available was far less than at any time
since and in those days this stall was like finding an oasis in the desert.
Once they sold 500 ballpoint pens sporting the legend 'BBC Dr Who Exhibition'
in less than a week! The way out- or `Egress` as the sign called it – was a
flight of steps that in later years led directly into the café above.
Each
year- and sometimes during the season- the exhibits would alter and there was
naturally a leaning on the most recent series of adventures. It was a bit like
going to a concert where the set list would include a lot of new songs and then
some old favourites. Apart from the console and some of the Daleks most of the
things featured were original props and costumes from the show some of which on
close inspection were showing signs of wear and tear. During the close season
from the end of October till Easter repairs were carried out. There was also
some swapping of exhibits with the Longleat exhibition.
In the
opening year of 1974 we were in the throes of the third Doctor’s final season
so this was heavily featured. There was Aggedor, some of Metebelis Three’s
giant spiders (twitching a little) as well as several items from `Invasion of
the Dinosaurs`. Giant maggots were also present as well as old favourites
stretching back across the era. A Silurian display, those busy Daleks, an
imposing looking Yeti. There were several Cybermen which were taken from the
late Sixties stories as well as Draconians from `Frontier in Space` Perhaps the
only slightly odd looking display involved the Ice Warriors who looked a little
worse for wear and smaller than you’d expect.
Perhaps
the biggest proof of the Exhibition’s success was the following year in 1975 when
the Illuminations were switched on by Tom Baker, Lis Sladen and Ian Marter.
They arrived in Bessie accompanied by Cybermen and Sontarans and huge crowds.
The Doctor had definitely moved in up North!
More photos in the Blackpool Doctor Who Exhibition Gallery- link above
No comments:
Post a Comment
Note: only a member of this blog may post a comment.