Published
in 1975 and penned by Terrance Dicks, `The Doctor Who Monster Book` was in
essence a boiled down version of the `The Making of Doctor Who` with all the Making
part removed. It’s got lots of photos, some awkward graphic design and a text
that tends to repeat things that Doctor
Who fans would surely know. The main attraction of the book was a glorious
colour poster of the cover which certainly earned a place on my wall and no
doubt many others. The poster – reproduced on the cover- was another excellent Chris
Achellios job even though he doesn’t appear to be mentioned in the credits!
Luckily he etched his surname under the Dalek just in case! It’s also devoid of
his trademark fizzling static but even so there’s something about his art which
makes it as good as photos. The book retailed for the realtively princely sum of £1.75 and
was designed by Brian Boyle A.R.C.A. Whatever that qualification may be it
still doesn’t excuse the lines emanating from a Wirrn on page 57!!
The
book is basically what is says it is; a guide to the monsters from the series
though it begins with a feature called `Who is the Doctor?` in which Terrance
takes us through the familiar journey which he enlivens with some descriptive
words. So the first Doctor is “a little stiff and crotchety but still spry,
vigorous and alert”. This absolutely mirrors the very first story which I
happened to watch fairly recently. We
are told about the “fantastically advanced” Tardis (note lower case spelling) and the first regeneration. Then we meet the
second Doctor “a strange, elusive character, gentle and wayward with a
whimsical charm.” The narrative takes us to `The War Games` before we encounter the “tall, lean and elegant” Third Doctor and let’s not forget that “shock of
white hair.” With the fourth Doctor only just arrived he gets a little space at
the end in which Terrance cops out by saying he’ll be a bit like each of the
others so presumably this was written before Tom Baker’s performance had been
seen.
The
introduction is illustrated by some excellent visuals including the cover of
the `Daleks` book and a well placed photo of Patrick Troughton playing the
recorder. However Jon P wielding the sonic screwdriver is accompanied by a
series of lines emanating from the device. It’s not the last time we’ll
encounter these lines is it Mr Boyle?
So
to The Monsters. For a fan in the mid 1970s the cornucopia of photos that ensue
would be something very special and do convey the threat of the series’ aliens showing
them in the best light. For a 2017 reader they are perhaps overly familiar but
some still impress. For the Daleks section their sojourn across Westminster
Bridge is stripped across the page; later there’s a very effective mix of art
and photos as the cover of the `Day of the Daleks` novel is sat next to stills
of Tom and a Dalek plus the third Doctor and Bellal. This use of Target book
covers interspersed with photos continues throughout the book adding a flair
even if it is also of course promoting the books. Target being the published by
the way!
In
the accompanying text Terrance makes the Daleks’ story sound like a harrowing
war film with talk of “unbearably hideous creatures” and “ruthless killers”.
This is the clear advantage of having someone like this writing the text; it
really livens it up. Like their rivals, the Cybermen are also introduced by way
of an iconic image; in this case it’s their `Invasion` walk down the steps of
St Paul’s while the Ice Warriors have the classic novel cover of Varga and a
screaming Victoria. There’s plenty of Peladon pix too and then we work our way
through much briefer descriptions of Autons, Silurians, Sea Devils and Sontarans.
Possibly due to its more recent broadcast Field Major Styre is called Steyr
here.
After
this we come to A Mixed Bag of Monsters which are the ones who never came back
starting with the Zarbi who of course always look better in other media than
they did on the actual television production. Case in point here as the double
page spread they occupy is mostly filled with a photo that actually looks
great. Terrance ably manages to truncate Bill Strutton’s detailed plot into six
lines! The Sensorites look very bothered by the wavy lines that Mr Boyle has
placed behind their photo but the Mechanoids pic actually captures one of them
firing their weapon. The layout though makes it look like it could float.
It
really is the mixed bag we were promised with an emphasis on those aliens that
look more photographically interesting even if the big photo/little photo Axon
page chooses to have the gold humanoid form as the larger one meaning its stick
on eyes are rather obvious. Meanwhile on a page called the Miming Robot it is
the alien Guardian that dominates and looking mighty creepy too.
Azal
resembles Freddie Mercury and where would the 1970s be without a full page
photo of a Gellguard.
Eventually
we arrive at page 57 in which Mr Boyle, clearly upset at not being allowed to
cover every page with his lines, goes line crazy with the offending marks
spilling across to bother the Giant Robot. I think the design is meant to reflect
the text which talks of “telepathic ant like creatures” but I’m not sure the
Wirrn were telepathic were they? You can’t really go wrong with Zygons though
and their double page has them giving the fourth Doctor a facial massage next
to Broton looking as if he’s about to run on as a substitute in the Cup Final.
Terrance informs us that the Skarasen survived to “live happily” on in Loch
Ness.
On
the back cover you can send for five other posters including the third Doctor
tussling with Lynx and an artwork featuring two jiving Cybermen. In all the
Doctor Who Monster Book is an of –its- time gem that may no longer blow us away
with its photo selection but is proof of the series’ growing popularity and it’s
increasing commercial value. Just try to ignore those lines though!
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