Season24@30.
Its very easy with thirty years hindsight to
be picky about old Doctor Who but you
do wonder exactly why this episode already has a great cliffhanger yet chooses
to follow it with an incomprehensible one. Was this not obvious back then? Ace
and Mel’s shadowy encounter with the monster is classic Who stuff and would have made for a perfect conclusion to matters.
Instead the image of the Doctor dangling from his umbrella is left in the minds
of the public for a week. These two opposing scenarios do sum up the episode
rather well though. While there are a lot of interesting ideas drawing on all
fantasy genres the staging is not the best and after the gusto of `Delta and
the Bannermen` this seems like a step backwards though at the time longer term
fans preferred it; I should know, I was one of them!
It is definitely a more
traditional story of a quest, mythical creatures and a ruthless ruler with a
gimmicky way of killing people. Multiple iterations of this format prevail not
just in Doctor Who but across the
telefantasy spectrum. The trick is to add something different to the mix, some
USP that will make it stand out from the crowd and in the case of `Dragonifre`
it’s the ice. Now the problem with icy settings inside a studio is that they
just don’t look cold and even now I doubt if the production team could afford
the time or money to add in breath in post production. Yet watching the episode
it struck me that there is no reason at all for the whole planet to be (an)
Iceworld. The cold bit could be confined to Kane’s lair; the rest of the place
could be more normal; a space station like affair. It is rare for an old story
of Eighties vintage to fail to convince quite as much as the attempt to be icy
does here. Even on the most cursory scrutiny Iceworld looks more like a
nightclub than a chilly alien world. Furthermore none of the actors
makes any attempt to look cold though Sylvester McCoy has a go at sliding on
`ice` even if Glitz doesn’t bother.
She wasn't impressed by his magic trick |
More positively the story, though
a tad over wordy, does offer up some character in the forms of the returning
Glitz, villain Kane and the forthcoming companion Ace. Ace seems gauche now but
you have to remember how mould breaking she was back then. She was the first companion
you might call street wise; her attitude a contrast
to almost all who’d gone before her. You only have to compare Sophie Aldred and
Bonnie Langford together in this episode to see that. I think’s Ace’s lack of self-consciousness
and bolshie demeanour really suits the character while her origins mentioned
here are intriguing. Like the way too that Mel just accepts the idea of a time
storm as if it’s perfectly normal.
Both Kane and Glitz are very much
second generation descendants of greater characters from the Seventies but
luckily the respective actors have a lot to bring to the party. Edward Peel is
the only convincingly cold aspect of the episode with an intense performance
while Tony Selby has a laugh as a sort of gone to seed Jack Sparrow. Overall
this seems to be an episode that is alright but nothing special though there
are touches of strangeness that bode better for the remainder of the story.
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